🖐 Oscar Neimeyer's Pampulha Modern Ensemble added to UNESCO

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Roberto Burle Marx, garden of Casino by Oscar Niemeyer, Pampulha, Belo Horizonte, Minas Gerais, Photographs by Styliane Philippou.


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Pampulha Modern Ensemble - Wikipedia
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The Yacht Club in Belo Horizonte by architect Oscar Niemeyer was built in Pampulha, Belo Horizonte, Brazil in


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Pampulha Modern Ensemble is a fine example of Brazilian modern on by architect Oscar Niemeyer and landscape designer Roberto Burle Marx. The ensemble included a casino, a restaurant/dance hall, a yacht club, a golf club and a.


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The complex includes a ballroom, yacht club, casino, a church, and a weekend retreat for the mayor. Pampuhla was one of Niemeyer's first.


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Oscar Niemeyer had the longest career of any modern architect, starting to build in Casino, Pampulha, entrance hall: Oscar Niemeyer


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Work type, casino. View description, interior view. Description, gardens by Burle Marx; now Pampulha Museum of Arts. Architect Name, Oscar Niemeyer.


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architect Oscar Niemeyer, working in collaboration with engineer Joaquim Cardozo, and The Casino is now used as the Pampulha Art Museum. The Ballroom.


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First masonry temple of Brasilia, the church was designed by Oscar Niemeyer at a whole neighborhood devoted to leisure, including casino, club, church and restaurants. The Pampulha project, inspired by the curves of the Baroque art, was​.


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The Casino, Ballroom, Golf Yacht Club and São Francisco De Assis Church, were designed by architect Oscar Niemeyer who, working in collaboration with.


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The Casino, Ballroom, Golf Yacht Club and São Francisco De Assis Church, were designed by architect Oscar Niemeyer who, working in collaboration with.


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Oscar Niemeyer 101

It was not by accident that it was the first element to be built. Niemeyer appropriated a form dear to utilitarian constructions in order to explore its plastic and aesthetic possibilities. The centre of the project, in accordance with the commission, had to be the casino. The glass surfaces and the fine columns which support the marquis are other elements that give a lightness to the whole. In addition, the buildings are conceived in strict relation with their surroundings, which provide a natural frame and inspiration for the designs and plans. For the execution of the project, Niemeyer drew on the collaboration of the structural engineer and poet, Joaquim Cardoso — and the landscaper Burle Marx — The work was designed by Niemeyer as a complex, albeit one in which each element is seen as an independent and autonomous form. Disputes aside, the fact is that a series of difficulties accompanied the project and redefined it: the ban on gambling caused the casino to be transformed into a Museum of Fine Arts; the Dance Hall never functioned; the prohibition of the lake due to contamination by parasites prevented the practising of water sports and reduced the activity of the Yacht Club; finally, the chapel, the conception of which was by no means conventional, took time to be accepted by the Church, and remained unused for many years.{/INSERTKEYS}{/PARAGRAPH} The vertical direction in which the window-sashes are placed is in turn opposed to the horizontality of the construction. The work provided for five buildings: a casino, an exclusive club, a popular dance hall, a church and a hotel, which was not realised. In the Yacht Club and the Kubitschek House, Niemeyer returned to playing with volumes, in such a way that they appear at the same time to be merged together and individualised. The Pampulha complex has become a milestone on modern architecture, both within Brazil and internationally. The project formed part of a modernisation plan for the city, which underwent major expansion in terms of space and population in the s and 50s, translating into the creation of new suburbs such as Pampulha and Cidade Jardim, the residential zones of the elite. The creation of a university city and an industrial district, named the Cidade Industrial [Industrial City], also date from this period. The use of glass, also on the glass staircase which joins the restaurant to the terrace, is mobilised as a function of the light and the communication between interior and exterior. Various criticisms of the project were made, above all, the lack of any urban planning for the new suburb in which the works were located, and the lack of a social function of the work, a point underlined by Max Bill — in an interview with the magazine Habitat, No. Francis], executed by Candido Portinari — , which occupies the whole of the background wall, he shortens the vault, narrowing it in the direction of the altar. The rigour of the straight lines is broken by the curved wall on the ground floor and the irregular marquis. The use of the parabolic vault made it possible for a single element to be sufficient for the construction of the roof and walls. In Pampulha in particular, the municipal administration aimed to create a luxurious leisure location, with a casino and lake for nautical sports, in order to attract investment. The rear block in a semi-circle established a counterpoint to the orthogonality of the games room. At the end of the project, the mayor added a summer weekend residence for him and his family. From the highest point of a peninsula, the casino building was conceived on the basis of an alternation of volumes, planes and curves, of plays of light and shadow. {PARAGRAPH}{INSERTKEYS}The Pampulha architectural complex, designed by Oscar Niemeyer between and , arose from a commission by the then mayor of Belo Horizonte, Juscelino Kubitschek — for the construction of a series of buildings around the artificial lake of Pampulha. The play of light between the illuminated choir and the dark wood of the nave is another element that highlights the mural. The trapezoidal roof is in turn seen as a direct reference to the project of the Swiss architect for the Erazuriz residence in Chile If, in the casino and the yacht club, the curve is used as a counterpoint to the straight lines, in the ballroom, located on a small island close to the shore, the curve dominates.